hornet61 said:
TheFonz said:
hornet61 said:
The 50's and 60's weren't necessarily that pure in and out of the music world....I was quite naive at 12 yrs old when I heard "60 minute man" and "honey love" and countless other R&B ditties, more sex going on between the lines than lovers lane..... all generations favor the music of their jr high thru high school years ON AVERAGE that's why we at 55 plus like oldies. .
Most of America wasn't hearing "60 Minute Man" and "Honey Love" on their Top 40 stations back in the '50s. Most R&B songs that made the Pop charts were covers by white artists (those versions we hate so much) and the lyrics were cleaned up.
It wasn't long before Alan Freed fixed that.........but we were listening to, and panting to......
ELVIS
"One Night of sin
Is What I' am now Praying For"
Chuck
"We was Reelin' and rockin'
rollin' till the break of dawn"
ELVIS
Hold me close, hold me tight
Make me thrill with delight
Let me know where I stand from the start
I want you, I need you, I love you, I
Be Bop A Lula – Gene Vincent and his Blue Caps
Third verse:
“She’s the woman who’s got that beat
She’s the woman with the flying feet
She’s woman bopping ‘round the store
She’s the woman that gives me more, more, more…”
A little trivia here:
The Blue Caps band comprised Cliff Gallup (lead guitar), "Wee" Willie Williams (rhythm guitar), "Jumpin'" Jack Neal (string bass), and Dickie "Be Bop" Harrell (drums). When the song was being recorded, Harrell screamed in the background, he said because he “wanted to be sure his family could hear it was him on the record.” His scream fit in perfectly with Vincent’s panting vocals, adding to the sexual content [and nature] of the recording.
Shake, Rattle and Roll - Bill Haley
Haley’s recording was a cleaned up version of Joe Turner’s classic, which contained the lyrics -
"I've been holdin' it in, way down underneath / You make me roll my eyes, baby, make me grit my teeth". Both Turner's and Haley's versions contain the double entendre
"I'm like a one-eyed cat peepin' in a seafood store." The chorus uses
"shake, rattle and roll" to refer to boisterous intercourse, in the same way that the words
"rock and roll" was first used by numerous rhythm and blues singers of the 1940s and 50s. Elvis recorded a single at RCA in 1956 using Turner’s original lyrics, and got away with it.
Little Richard – Long Tall Sally
“Long tall Sally, she’s built sweet,
She’s got everything that Uncle John need,
Oh baby…”
Fever – Little Willie John
“…Listen to me baby, hear every word I say,
No one can love you the way I do,
Cause they don’t know how to love you my way…”
There are many more, this is but a taste.