Thanks for the education on the challenges to AM radio listening.
Even a DXer should know that HD FM's cover roughly the same area with 1% of the power of the analog. Digital broadcasting is a huge money saver when it comes to the power bill. On a 50kw AM that is significant. TV and AM station's digital transmitters also use much less power to cover the same area.
Obviously no one was listening when I said you don't hear the pattern change with AM HD. You have 8 seconds of buffering on AM HD. So you can pass under stuff and not get a drop out. You can turn the transmitter off for 3 seconds and not miss a beat. One thousand, two thousand, three thousand. It's a long time in radio billable time.
Power bills on FM are much higher with HD. The reason is that the peak-to-average ratio is much higher with HD and the transmitter has to be linear to reduce the intermod products. In fact, Gates Air is now offering a retrofit kit for their Z-series transmitters to turn off HD and migrate the PA's to class C.
But that's on FM. Has anyone heard anything at all about how much power (rms or peak) these stations are running in these all-digital AM tests? That seems to be a difficult number to find.
Dave B.
I'm not sure there would be any extra effort on the part of a modern AM transmitter to transmit full-digital, at least in theory. With conventional peak-modulated analog-only mode, you set your base or common point current with no modulation, in this case say-31A. Then when modulating the transmitter, your peak power and base/common point current levels of course fluctuate with modulation. With full-digital (RMS) modulation, I'd imagine you set your power output to achieve the licensed base or common point current with digital modulation because there are no peak values. Modern transmitters should be able to maintain 100% modulation at their designed output, whether sine wave analog, or digital modulation. It seems to me the technical wild cards would be external diplexers, phasors, traps, or tuning networks, as to whether they could take the constant RMS modulation for long periods of time and maintain the same bandwidth and equalization important for digital broadcasting.
When TV stations started broadcasting in digital mode, we faced similar challenges. Analog TV transmitters were AM modulated, at least on the visual side. Depending on the picture broadcast, the transmitter would go through peak changes. When digital, the entire 6Mhz of bandwidth is occupied by modulated data and it has to be flat from side to side of that 6Mhz channel. The transmitter had to be designed with the broad bandwidth and power output capability to run 24/7 with constant full modulation. The difference is between FM or TV digital transmission and AM: AM has all those components between the transmitter and antenna.
Unfortunately, people who are in favour of I-BLOCK and the use of HD radio will never agree that its a flawed system. I personally think that AM stereo is a great system for audio fidelity, but it too had drawbacks. If there were not as many stations on the AM dial, you would probably have better luck hearing the signals that remained; maybe some of the stations would have the clarity of KIRO 710 (imagine that flamethrower with C-QUAM).
When you take everything into consideration, the listening audience had decide that this isn't a system they want to embrace. I don't blame them, I wouldn't want to spend hundreds of dollars on a stereo system to jump on this bandwagon.
FM HD is IBOC. Does any one know what IBOC stands for? In-Band-On-Channel.
I think what doomed AM stereo (if you could use the word 'doomed') was that by the time the 'standard' was adopted, most young people had already moved to FM for music programming, and they weren't about to buy a special radio to hear music on the AM band in stereo.
It's all about the timing. The only way you can defeat poor timing is government mandate.