Question for the forum professionals: IF (a big IF) WKCE could gain enough Internet listeners nationally, in the correct demo, would there be an interest by agencies in buying national ads?
I realize their "Midcentury Music" might not draw the preferred 18-x demo but what number might make it profitable enough to keep the lights on?
Network radio and streaming are generally bought in big-delivery packages. The standards in streaming are set by Pandora, with nearly 100 million regular users and over 2,000,000 listening at any time. Ads can be inserted in any set of streams locally, regionally and nationally.
The possibility that a little daytime station could compete on that level is not even something that qualifies as a long shot.
Some AM stations have to resort to the dollar a spot rate and try to sell frequency to make it.
Do you know what stations these are (or were)? I live in a bedroom community county near Nashville, and the little AM station here (in this county) is the only station BASED in this county. But most of the time, their signal is crap here. They are 24/7, but I am guessing that their night-time programming is solely for 'net listeners. No, I don't know how he pays for it.I recall visiting Nashville when my folks lived there. I knew a few AM operators in the adjacent counties. Indeed a 1kw was pretty noisy at 20 miles and 500 watter at 15 miles, so much static the average person wouldn't listen. And those I knew barely kept the lights on 15 years ago. One station made about $2,500 a month (Southern Gospel) while another averaged $3,500 to $4,000. The most successful billed about $5,000. The later two were classic country. Spot rates were low too: $3 at two stations while one station sold a $375 package for 5 thirties a day, 7 days a week. In each case it was a one or two person staff and a computer. If the operators of the Southern Gospel station didn't have the station in their home, I doubt they'd survive.
...................... the "everything that was ever recorded" format......
Those of us who remember Top 40 radio know that 99% of the songs on WKCE's playlist made the Billboard charts and were played on radio in the 1950s & 1960s.
Even the Country songs? I can't say I remember most of those.
Those songs are in the 1% of songs on their playlist that didn't make the Pop charts, but probably made the Country charts.
Those of us who remember Top 40 radio know that 99% of the songs on WKCE's playlist made the Billboard charts and were played on radio in the 1950s & 1960s.
It's so sad that Oldies radio has led people like yourself to believe that only the songs THEY decided to play for the past 40 years are relevant. Those of us who remember Top 40 radio know that 99% of the songs on WKCE's playlist made the Billboard charts and were played on radio in the 1950s & 1960s.
Johnny Cash, Don Gibson, Bobby Bare, Sonny James, Ferlin Husky, Johnny Horton, George Hamilton IV, Jim Reeves, Stonewall Jackson, Claude King, Wanda Jackson, Faron Young, Marty Robbins and Eddy Arnold are just some examples of Country artists whose records made the Pop charts in the '50s & '60s. WKCE does play some rare country. Those songs are in the 1% of songs on their playlist that didn't make the Pop charts, but probably made the Country charts.
It's so sad that Oldies radio has led people like yourself to believe that only the songs THEY decided to play for the past 40 years are relevant. Those of us who remember Top 40 radio know that 99% of the songs on WKCE's playlist made the Billboard charts and were played on radio in the 1950s & 1960s.
A classic rock cover band is an even better example. Most of the ones I've seen stick with the familiar 1968-85 commercial stuff. In other words, lots of AC/DC, Lynyrd Skynyrd, Eagles, and Led Zeppelin, and little-to-no Uriah Heep, Yardbirds, Cream, or Strawberry Alarm Clock -- no matter how big those bands were or how great their music was back then. Unfamiliarity drives most customers away.
How did they enter the conversation? They were a faux-psychedelic singles-oriented outfit that never got album-rock/progressive airplay. "Incense and Peppermints" was a big Top 40 hit, then they put out several singles that didn't do nearly as well, then they disappeared. They never went on to anything big in the "serious" rock scene.
All true, but it shows that at least two people remember them. But don't you DARE diss the Balloon Farm!
Actually, "Incense and Peppermints" was a mainstay of many oldies stations well into the '90s.
Wouldn't dare, even though I always confuse them with Bubble Puppy.
Actually, "Incense and Peppermints" was a mainstay of many oldies stations well into the '90s. Maybe it wouldn't be recognized if the people listening to that cover band have only been listening to album rock or, later, classic rock, but oldies radio fans would recognize it even if the song is from before their time.