For entertainment that you couldn't buy (nor would you want to) the Q3 2023 public affairs comment file for KCSM is, um, enlightening?
It seems to amount to a spat between a former program director and current station management over...the introduction of two hours of public affairs programming on Sunday mornings. Talk about low stakes.
What I can tell you is that the previous method of "addressing issues through interviews with jazz musicians" is unorthodox.
I pulled up the Q4 2019 issues file, a period when I know former management was still in place (I think Ms. Clancy was forced out in the middle of 2020). The issues covered were (deep inhale):
Age. Art. Awards. Benefits. Books. CD Release. Children and Youth. Clubs and Venues. Cost of Living. Culture. Dance. Diversity & Multiculture. Economics. Education. Environment. Festivals. Film. Gigs. Intellectual Property. Live Morning Radio. Music Rights & Licensing. Philanthropy. Russia. Spirituality. Travel. Tributes. The Soviet Union. Women.
Well, that's exhaustive. Good work. But things collapse when realize what was really going on. FCC regulations state the following:
The list shall include a brief narrative describing what issues were given significant treatment and the programming that provided this treatment. The description of the programs shall include, but shall not be limited to, the time, date, duration, and title of each program in which the issue was treated.
(quoted from 73 CFR 3526.12)
What was being listed as a "significant treatment" of an issue appears to be biographical and promotional interviews of jazz musicians, based on the names of the interviewees given.
The station did not provide a "brief narrative" about how the issue was given significant treatment in the interview, and the timings given are clearly reflective of a larger program. If you take the document literally, the station interviewed Nicholas Bearde eight times, for 40 minutes each, on eight different topics on October 3rd, 2019. But clearly what actually happened is they interviewed Mr. Bearde for 40 minutes, touching on eight topics for a few minutes at a time, making the treatment minimal.
Nor was there a rationale given for why the Soviet Union or Dance or Intellectual Property were issues requiring significant treatment by a radio station in San Mateo in 2019.
Of course, I'm picking nits. The chances the commission would
ever issue anything more than a warning letter to a licensee over something like this are the same as Harold Camping correctly predicting the end of the world.