A random assortment of thoughts from an old programmer on this front, especially as Star has begun to air :30 promos for itself following Christmas Day:
•There's no telling when PD Jerry McKenna decided (if it was his call, at all) WSTR would flip to 24/7 holiday music, but it did seem like a rushed decision. Why? A classic tell of a station's preparedness for such a flip is when it only has two or three Christmas jingles ready to go, and then uses them incessently throughout the first few days of holiday programming. That "Let's roll — Star 94.1, the Christmas Station" jingle plays ~6 times over the two hour block I listened to in the first few days. Same with its TOH imaging, etc. The station likely had these in reserves from its annual Christmas Eve/Day 48-hour holiday format (which, by the way — and this has held true this year — is one of the best Christmas playlists in Atlanta and around the country). However... as the days have gone on, Star continues to add more and more Christmas imaging that, while excellent, seems as if its been produced in the past week after a hastily decided Christmas flip.
•A staple of the all-Christmas stations going back 20 years has been the "After the holidays, keep it locked to [X station] for the most music while you work!" promos. These are effective and strategic — anything to halt the post-December ratings bleed is a net-positive for these stations (extra credit to any readers who remember the "80s, 90s and Noel" spots from B98.5's final year going all-holiday). WSTR only began airing such promos yesterday or the day before, more than a week following the Christmas flip, but more on those in a minute. Either McKenna became spooked by speculation of a flip from people who pay way more attention than the median listener (i.e. this discussion board) or word came from on high at Entercom that Star needed to take advantage of the likely ratings boost to plug its existing format.
•The :30 promo for Star "after Christmas" is mostly standard Hot AC stuff and resembles Star's imaging pre-flip — "Sounds like Atlanta," "Listen while you work," etc. It also briefly mentions "throwbacks" played on the station, while all of the song clips included are from the past two years. What is new is the tagline about its music being "Custom-built for Atlanta." What does this remind me of? KTCZ/Cities 97 (iHeart's Modern AC in St. Paul) and, to an extent, KMXB/Mix 94.1 (Entercom's Hot/Modern AC crossover in Las Vegas). Both stations, Cities 97 in particular, position themselves as things like "distinctly [X city]" with a "hand-crafted music mix." It sounds almost AAA-ish in its approach, something that worked pretty well in Atlanta back in the day. KMXB plays songs like "Drive" by Incubus and an emphasis on more Indie-sounding music like "Trampoline" by SHAED. KTCZ, meanwhile, is programmed as something of a crossover between SiriusXM's "The Pulse" and "PopRocks" stations, with a mix of current singer/songwriter-style music, along with 1990s- and 2000s-era lite alternative. I think both stations are worth contrasting with whatever WSTR ends up sounding like in January and beyond.
•As of the beginning of this month, there's very little daylight between the "AC" (if one can even call it that) playlist of B98.5 and the Hot AC playlist of Star. And, if we're being honest with how CHR sounds in 2019, there's also very little noticable playlist difference between those two and Q99.7. Yes, they're a more upbeat-sounding station (along with Power 96.1), but the current core artists and songs are essentially all the same. So, if you're Entercom and looking to differentiate Star from — not one or two — three identical competitors, it may take more than a few playlist and imaging tweaks or a morning show re-arranging to do so. Entercom has shown dedication in its other markets to investing in and improving its heritage brands, and I imagine things will go similarly in Atlanta. All of that to say: McKenna has a big task in front of him.
•One final note on the radio landscape in 2020 and the following decade: as music released in 1980 turns 40 years old next year, AC stations nationally will start to feel the pressure to fully hand over 80s music to their Soft AC and Classic Hits counterparts, just as it did to get rid of 70s music at the turn of the decade in 2010 (currently around the country, the new Soft ACs are very 70s-focused and the Classic Hits stations are basically 80% 80s). So where does this leave 80s pop and rock — arguably one of the most popular genres of music ever — on Atlanta radio? Some of it has a home on WSRV, though it's all the Bon Jovi/Guns 'N Roses/Def Leppard stuff, not Michael Jackson/Madonna/Whitney Houston. The 80s already seems to occupy only one song an hour or so at B98.5, and I can't imagine this number will grow. So where will listeners be able to hear Jackson, Madonna and Houston — not to mention the countless one-hit-wonders — on Atlanta radio in the next decade? Time will tell.
Anyway, I digress. Merry Christmas.