Same with keeping a precise mix of more "standard" songs (Theme from "The Apartment") and the instrumental versions of Lennon/McCartney or Brian Wilson songs.
I used to love listening to the Boston Pops play the Beatles Songbook (as an example).
Same with keeping a precise mix of more "standard" songs (Theme from "The Apartment") and the instrumental versions of Lennon/McCartney or Brian Wilson songs.
When you're listening to radio Quaalude for hours upon end, does selection and flow matter? Rhetorical question, as it all pretty much sounds the same. One of the things that used to drive the Nurse and me crazy about KAHM, was the ambient noise picked up by the studio mic. A wall A/C unit must have been in close proximity to the console. But again, it really doesn't matter as the listeners are there for the muzak.
The problem comes when the big box stores take over much of retail and don't buy local radio.
In the big Beautiful Music battles, such as Cameo and KRFM, we had Shulke (and later Churchill) vs. Bonneville and the whole issue was about flow.
I have a feeling that most of the advertising revenue generated by KAHM came from the immediate Prescott area so maybe someone will put the easy listening format on the 101.7 translator owned by KAHM and keep the format alive. All they need is to lease a HD channel. I've not seen any recent Neilsen reports for Yavapai County, AZ, but I suspect KAHM got good numbers.
If no one offers an alternative, here is one..albeit it a more modern version: WHLC in Highlands, NC. They stream at www.whlc.com. Despite its big signal to the south, almost all of WHLC revenue is generated in the local market. $1.7 million for KAHM pales compared to what the Silverstein family could have gotten ten years ago. That would have probably just covered the escrow deposit.
I wasn't even 30 but I can tell you I was.The 30-somethings of 1990 were definitely not listening to Percy Faith, Paul Mauriat and Mantovanni.
Towards the end, BBS abandoned Match Flow in favor of Random Access. It was a lot easier to refresh and update the library than create all new match flow reels. Plus TMISU got out their checkbook and started buying out competitors, leaving BBS as the dominant player in a dying format.
This talk about musical flow reminds me of the secret to KZZP's clocks in the 80's that prioritized tempo.
This of course, was back when you scheduled with file cards and different colored pens...
Yup, if you're a rocker...you might as well sound like one! Files cards were subject to jock fudging at every station (skip that song, and place the card at the back). At least with the Beautiful Muzak format, the jock couldn't manipulate it. All he could do is tap his toes to the 101 Strings and wait for the quarter hour break.
I wasn't even 30 but I can tell you I was.
I was listening to other styles of music then but I still like them.
Some stations charged repeat offenders the cost of duplicate tapes when they were mangled due to operator error. Because the 10 inch reels were wound tails out, they had to be rewound before airing. Every now and then some neophyte would flip the reel and play the tape. Ferrante & Teicher actually sounded pretty good played backwards!
And with my luck it would have been about the moment a song ends and snaps the tape on the next reel before I can manually hit the stop button.
Also amusing was when the 25 Hz sequencing tone filter croaked, allowing duck farts on the air after every song.
But yeah, when it comes to advertising B/EZ is a 55+ demographic. Does KAHM air commercials for Verizon/T-Mobile etc. to 'upgrade your old smartphone'? I doubt it.
What we have here are exceptions to the rule versus the norm.