For those radio listeners (and there are still a lot), most don't pay any attention whether what they're hearing out of their radio is an HD-whatever channel. They know when pressing this preset, they hear a selected format.
Virtually all of the comments on HD so far have been surrounding the technology but aside from music quality what does HD provide?
You don't need it for sports, talk or any other of the myriad traditional uses of radio. So music is now a niche on radio given the number of outlets that are not radio based.
There might be a genre that takes full advantage of HD radio but if there is I haven't heard it yet. A quality analog FM signal is just fine for any music genre of my lifetime. And I am saying this as an owner of one of the finest HD/mobile sound systems yet put in a luxury vehicle. Given the physics of an FM signal, digital or otherwise, there is not a lot more the industry can do to address the only significant shortcoming - the range. AM HD is homeless so no happiness there either.
I am not anything approaching an expert on the subject but to an ordinary radio listener it seems digital radio has gone about as far as it can without significant new content to draw an audience. I would certainly not pay a penny extra for the technology.
There are Sports stations which fix game conflicts by putting one on their HD-2 or 3 channel. For example, a NFL team is playing at the same time as the college team the station carries. Either that, or the AM carrying the conflicting game, can also be heard on an FM station's HD-2. Many AM stations carry their programming on an FM HD-2/3, plus feed their FM translator. That means there are more avenues for a listener to find the content.
That's an interesting contrast to my experience. I think that every person I've talked to in real life about radio (assuming they have or live in a market with HD broadcasts), from 20-somethings to nearly-70-somethings, know whether the programming they're listening to or looking for is on an HD sub-channel or 'regular' radio. They also recognize and volunteer that the HD channel sounds better (occasionally 'different'). There's content here that I can get and I actively listen to that I can hear on my HD radios, but either isn't available otherwise or I'm not sure where or how to get it. I have absolutely zero interest in paying a dozen different subscription fees each month, and streaming things is both too costly and FAR too fiddly to mess with on a touch screen while driving.
How widely different people's experiences are.
My guess is you mainly associate with other radio-interest or radio enthusiasts. I've attended many focus groups and listening tests where the majority of listeners know when I press this button, I hear this station. If you asked them what the call letters or frequency, they couldn't tell you that, but knew it was *****'s Best Country. Or I listen to "DC101", or sometimes they will mention a slogan or phrase that isn't associated with the format they were listening to. A couple of my favorites are when older folks respond with: "Oh sure, I listen to Rush Limbo". When you ask what station is Rush on, they say: "You know, that station who carries Rush!" "Or, sure I listen to the radio. Sometimes Channel 4, but I really like that weather lady on Channel 7..."
I've been in the business my entire working life, and I'll guarantee you that if I asked my wife whether she listened to an HD-2 station today, the answer would be: "How would I know? Even better, why would I care?" "I listen to whatever suits my mood at the time."
I have been in many perceptual and quantitative research projects, mostly with US Hispanics. Statistically "nobody" knew what HD was, what it offered or how to use it.
Period.
Yeah.....that "stations between the stations" wasn't exactly informative, was it?
It had a certain appeal to shortwave listeners like me, who were used to prying signals out from between 100 kilowatt powerhouses on 25 and 31 meters at night. But SWLs were a tinier niche in 2006 than HD Radio listeners are today.
Based on that experience, I believe the largest missteps going in, were pioneering station groups which implemented HD never involved the station programming or promotions staff to promote what was on THEIR station, other than their main programming. The original cryptic, going-through-the-motions-for-corporate, promos about HD from back in the late 90's had zero buy-in from the stations or staff on the ground.
Many years ago, I was quite surprised to continue receiving that station in HD, as I drove into Salem. It was a Class C2 at the time and Salem is beyond its 60dbu contour.Roughly a year ago, I was helping out a All Classical public station in Portland, OR. They had just suffered a massive hacking and loss of most of their IT systems. The station had been doing IBOC/HD with three streams since 2014 and not even most of the station staff had any clue what HD was or how it could be a benefit. By the time I was done, we had launched a very popular All Classical Christmas channel on the HD-2, later to become what is now the International Children's Arts Network (ICAN).
Being classical, the audience was mostly 50+, so the idea of explaining HD-anything was a stretch. Once the station started actively promoting the alternate programming on the main channel, it was interesting how many calls and E-mails the station promotions department got asking where they could get an HD Radio, and how to tell if one was in their vehicle. I had already armed Promotions with lots of resources and links to pass along to an interested public.
Based on that experience, I believe the largest missteps going in, were pioneering station groups which implemented HD never involved the station programming or promotions staff to promote what was on THEIR station, other than their main programming. The original cryptic, going-through-the-motions-for-corporate, promos about HD from back in the late 90's had zero buy-in from the stations or staff on the ground.
Many years ago, I was quite surprised to continue receiving that station in HD, as I drove into Salem. It was a Class C2 at the time and Salem is beyond its 60dbu contour.
That's one of those where it's supposed to be non-directional but not so much in practice.I discovered the same thing; HD for All Classical Portland is easier to receive in Salem than KOPB, a Class C. That's attributed to the direction one section of the panel antenna for KQAC is aimed, due South. KOPB's broad band master antenna is aimed more SE and SW.
That's one of those where it's supposed to be non-directional but not so much in practice.
By the way, as I recall, KOPB was downgraded to a Class C0.I discovered the same thing; HD for All Classical Portland is easier to receive in Salem than KOPB, a Class C. That's attributed to the direction one section of the panel antenna for KQAC is aimed, due South. KOPB's broad band master antenna is aimed more SE and SW.
By the way, as I recall, KOPB was downgraded to a Class C0.
KOPB is actually 73KW, roughly the same power they've always had, from a different location. In fact, it may be the third location, where they've had that approximate power. It's 470 meters HAAT, I have no idea why they never increased power.True, because it's under the Full C HAAT. KOPB has 100kW ERP, vs. KQAC 5.9kW ERP.
My guess is you mainly associate with other radio-interest or radio enthusiasts.