"I realize that they needed more money in that year, which is why I sourced my reference. But the fact that government provided so much money to a station that only reaches a small percentage of residents of the NYC area does make one wonder about the excesses of 31 studios and 70,000 square feet of space."
To some extent I agree. The reasons given were that WNYC was to be the production/origination point for NPR-PRI and others in the New York market.
"I would not use the word "shame" as I have seen many state run broadcasters in Europe where expenses are high and audiences are often low. It is easy to be grandiose when on the public teat, and WNYC sounds like it is overfunded, overstaffed and a bit of an anachronism. "
And I would not make such a comparison. Frankly, I'm surprised that you would either. The European State-Casters (Asian ones too) derive their total budgets from "extracted sources" -taxes. WNYC and all other Public Broadcasters who are not school affiliated, derive the vast majority of their funds from US -the listeners and corporate underwriters. If we don't like what is going-on we have an easy way to reign it in.
"I've never ever heard that in 55 years in radio. And I have worked with a variety of non-commercial broadcasters over that time. In truth, I believe most of us in the commercial radio world think that, if anything, non-coms tend to sever the older demos that commercial stations can't make money serving."
David, I'm nearly 58 years old and have listened to radio since 1961. The spot loads on the only commercial stations I listen to (WCBS-am and WINS) are much worse than even a decade ago. Even the people I know in the industry here in town will tell you this is true. In some operations it is debt service, on others it is just milking what they can from declining spot rates and aging demos. It is a vicious cycle that is damaging the industry.
"Most of us wish we could deal with fewer commercials but the reality of commercial radio does not permit that."
I don't doubt that. I am sure it is frustrating to have a show torn to bits and real news trivialized by constant interruption. That is why stations like WNYC are important to the future of the medium.
Chan/NYC
To some extent I agree. The reasons given were that WNYC was to be the production/origination point for NPR-PRI and others in the New York market.
"I would not use the word "shame" as I have seen many state run broadcasters in Europe where expenses are high and audiences are often low. It is easy to be grandiose when on the public teat, and WNYC sounds like it is overfunded, overstaffed and a bit of an anachronism. "
And I would not make such a comparison. Frankly, I'm surprised that you would either. The European State-Casters (Asian ones too) derive their total budgets from "extracted sources" -taxes. WNYC and all other Public Broadcasters who are not school affiliated, derive the vast majority of their funds from US -the listeners and corporate underwriters. If we don't like what is going-on we have an easy way to reign it in.
"I've never ever heard that in 55 years in radio. And I have worked with a variety of non-commercial broadcasters over that time. In truth, I believe most of us in the commercial radio world think that, if anything, non-coms tend to sever the older demos that commercial stations can't make money serving."
David, I'm nearly 58 years old and have listened to radio since 1961. The spot loads on the only commercial stations I listen to (WCBS-am and WINS) are much worse than even a decade ago. Even the people I know in the industry here in town will tell you this is true. In some operations it is debt service, on others it is just milking what they can from declining spot rates and aging demos. It is a vicious cycle that is damaging the industry.
"Most of us wish we could deal with fewer commercials but the reality of commercial radio does not permit that."
I don't doubt that. I am sure it is frustrating to have a show torn to bits and real news trivialized by constant interruption. That is why stations like WNYC are important to the future of the medium.
Chan/NYC