However, with the majority of their day still on NPR (so much so that that's what people still call it), I don't know what branding is to be had from keeping "KJZZ" call letters when nobody calls it that.
Market demographics?KJZZ is a joke...No community involvement, no jazz on the main channel. <...> are just two examples of great jazz stations.
KRDP is trying to work on adding coverage on the west side. They're asking the public for their assistance to build out KRPJ 91.9 (permitted to Wickenburg and will be broadcasting from Towers Mountain). Their only problem will be whether or not that signal will be drowned out by CSN station KVJC in Globe, which despite broadcasting 660 watts from Signal Peak near Globe, is audible in parts of the west side.They need to give up their call letters and stop pretending. At least KRDP is trying even though they suffer from a poor signal. Their plan going forward is to go out and broadcast from concert venues and support the local community.
About KRDP – KRDP Community Radio (Jazz 90.7 FM & Indie Online)
It felt like a matter of time before KJZZ went to an all-speech format, frankly, looking at other stations around the country. There's no room for a translator to squeeze in to provide HD2 on an analog signal. I wonder if the way they handled this also allowed them to cut costs a bit with the jazz service.
- When KONC 101.5 left the classical format in 1986, ASU and the community colleges piled into 89.5 (there were four total applications for it). That station went on the air under a joint-custody arrangement in 1993 as KBAQ.
They cumed 184,900 people and are one of the top dozen stations in the market.KBAQ, technically a "college station," is one of the laziest stations I have ever heard - they quite literally go hours if not days playing only "de-composers" (Mozart, Vivaldi, Wagner, etc.) and rarely if ever play contemporary classical. For example, MIT's WMBR in Boston runs laps around KBAQ when it comes to contemporary classical. To put in further context, these are major universities that don't even play their own's student recitals over the air. Shouldn't they have a little more pride and sense of ownership vis a vis their own artists programs? Unlike with sports programs and the strings that come with athletic programs, it's not likely they'd have ASCAP/BMI breathing down their necks for broadcasting student-written work. That would be free publicity (since it's free to listen to KBAQ) and ASU or MCC or GCC or SCC symphonies would always be sold out. But no, let's hear some more Beethoven for the umpteenth time.
KRDP is trying to work on adding coverage on the west side. They're asking the public for their assistance to build out KRPJ 91.9 (permitted to Wickenburg and will be broadcasting from Towers Mountain). Their only problem will be whether or not that signal will be drowned out by CSN station KVJC in Globe, which despite broadcasting 660 watts from Signal Peak near Globe, is audible in parts of the west side.
KRDP Phoenix/West Valley Expansion
I also checked the frequency in the North Mountain area, and there's a Vic Michael translator on 91.9 as well.Also worth noting: two LPFMs want the 91.9 frequency and are likely to end up time-sharing. School of HipHop PHX would broadcast from about 11th Avenue and Buchanan. Nothing is Greater Than Love Foundation would broadcast from a site northeast of 19th Avenue and Broadway.
They cumed 184,900 people and are one of the top dozen stations in the market.
Why, it's almost as though they've figured out what their audience wants to hear (and will pay to support), and they're programming to that audience.
Shame on them, indeed!!
And the blues audience is even more niche than traditional jazz.I noticed that Those Lowdown Blues w/ Bob Corritore is still airing on Sunday night. It's celebrating its 40th anniversary this year. Not exactly a small feat for a weekly 5-hour "specialty" show.
Congrats Mr. Corritore. A job well done! ..