Possibly because KUOW is so hard to listen to on the outskirts of the metro area where the signal starts getting rough.
Or it's a radio station with a genuine focus in multi-platform listening and increasing organic content.
This. Stations or groups that don't focus on providing content on multi-platforms do so at their own peril. A lot of us have probably seen it before: News and editorial staff that refuse or aren't versatile enough to write or produce content for on line and social media too. 'I do stories on for the radio, that should be enough' Problem is anymore, it isn't.
That IS the correct headline, that's for sure. I am not sure who all they eliminated, but Emily Fox and Jamala Henderson are no longer on the website. Not sure who else was axed. I DO miss Emily Fox- seems like you would want to keep as many talented Millenials around on your staff if you don't want to completely age out.
The also let Lisa Brooks go, which to me, was shocking.
Heard Lisa on KIRO doing the middday news breaks. Perhaps it's only fill-in stuff - they should hire her FT and dump people like Hanna Scott whose voice sounds like nails on a chalkboard. Sorry, but I'm being honest.
KUOW spent two days last week telling us that the Rose Bowl was happening at 5pm... Granted they don't do sports but being owned by UW could they at least get the facts correct on something that significant to the community? Clearly they just read some website (not the UW site) where the game times were Eastern Standard Time. That doesn't give me any confidence that they do any deeper diligence in their normal Social Justice reporting.
I agree the quality of voices that get on radio these days is less than stellar. As a person who was actually trained to talk on the radio, the people who get hired now clearly aren't trained and have no idea what that means and don't know what they don't know.
I may be overgeneralizing, but it seems to me that voice quality isn't a top priority at NPR stations.
As for voices, well...there was a time when a deep voice for males was important. That is not so important today. But what is important is a clear, pleasant, concise voice. Seriously, that is really all it takes.
Still, there's nothing like a well-trained newsradio voice.
I think Manda Factor is one of the best sounding female news voices in the country. Linda Nunez, on the beach from KNX in Los Angeles, is another.
Someone who really knows how to keep the listeners attention through proper use of inflection and pacing can really make a difference. These are the voices that draw you into a story, and really capture your attention. Even if you don't have the classical deep voice, you can use your voice to keep the listener engaged.
Contrast two old warhorses doing fill-in and weekend hourlies at CBS Radio News. Both Sam Litzinger and Gary Nunn have good voices, but neither have the deep, classical, male newscaster sound (think Frank Settipani).
But they're the two most compelling anchors at the network. Their newscasts draw you in. And they do it with different styles.
Gary Nunn goes heavy on inflection, varying his tone and emphasizing all the right syllables to reengage your with the story. He's in his mid to late 70s and does that style as well as, or better than anyone else working today. Certainly the kids coming out of J-school don't learn anything like that.
Sam Litzinger uses speed to keep you dialed in (so did Charlie Rose, btw, when he'd substitute on the CBS Evening News). He'll read the copy and increase or decrease the pace of his sentences to keep you engaged, speeding through the background and slowing down for the important parts. And then, he'll drop his voice almost to a whisper for the hook. If you really listen to what he's doing, its clear he's mastered an art form.