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Does anybody else hear this...?

mike847

Regular Participant
Ever since the January 2017 Trump's Joint Session of Congress address I've been hearing an annoying noise on satellite delivered audio.

I heard this during the above mentioned broadcast and the recent NCAA Men's Basketball Tournament.

It's a two note (high and low) electronic noise that comes up during pauses of speech/commentary/play by play. (I also just heard it as a local sound bite during a local newscast.)

Is this a new sound that cannot be corrected with all of the wonderful technology we have today?

I am not an engineer, but a former employee in radio, so this noise is not in my field of expertise.

Is there anyone that knows what this is, and why it has appeared in this day and age? It seems like technology has taken a giant step backwards.

Thanks.
 
How are your receiving these broadcasts. Cable, over the air or satellite?
I am not hearing the tones.
 
The tones I heard during the President's Address in January was heard on TV over the air. The NCAA Basketball Finals were heard on AM radio over the air. The local news soundbite was heard over the air on an AM radio.

The noise, which I will describe as an obnoxious buzz, is not continuous, but during what should be silences. The "buzz" is two notes, high and low, shifting back and forth every second. I don't have an audio file of the noise to share as of this writing.

During the NCAA broadcast it was heard during the lull in play by play, but also appeared during a commercial break where it was all local except for a national commercial that also had that buzz.

For a brief moment I thought it would be caused by the usual modern noise suspects in my house, but the fact that it came and went during local and national elements blew that idea out of the water.

Thanks for your help.
 
I'm with Frank, never heard such a thing. You've heard it on TV and a local AM station?

Especially given the limited low and high frequency response of AM, it surprises me that any sort of sub-audible tone would be heard. Tinnitus? Maybe see if you can record an audio sample and post it here.

Oh and one more thing: If the tones start morphing into voices that tell you to kill Kelly. Please ignore them.
 
These are not sub-audible tones. It is an annoying noise on top of program audio mainly during pauses in speeches or play by play.

The "noise" sounds like the typical European emergency vehicle siren. High note-low note-High note-low note-High note-low note-High note-low note.

I know what sub-audible tones are having used them in recording music tapes for a Schaefer 800 automation.

(As a separate quest: I'd love to have access to, or information about, the sub-audible tones on satellite delivered programming. Specifically, who applies them. Is it the board op that runs audio for the show, or a master control operator at the point the signal is sent to the uplink?)

I'm sorry my initial post was confusing, but I finally figured out how to describe the noise I was hearing. So, if you've seen news items, movies or TV shows that feature said emergency vehicles then you'll understand the the type of sound I am hearing. It is a "siren type" noise with a deeper sound.

As I said I do not have any audio files of this noise, and I'm not sure I could attach said file to my post.

Thanks.
 
If it makes a sound like "DEE-dull...DEE-dull...DEE-dull", it's often a battery charger of some kind, operating right at the edge of "full charge". Might be from a Solar Power system, a UPS, or just a bank of stationary batteries.
 
These are not sub-audible tones. It is an annoying noise on top of program audio mainly during pauses in speeches or play by play.

The "noise" sounds like the typical European emergency vehicle siren. High note-low note-High note-low note-High note-low note-High note-low note.

I know what sub-audible tones are having used them in recording music tapes for a Schaefer 800 automation.

(As a separate quest: I'd love to have access to, or information about, the sub-audible tones on satellite delivered programming. Specifically, who applies them. Is it the board op that runs audio for the show, or a master control operator at the point the signal is sent to the uplink?)

I'm sorry my initial post was confusing, but I finally figured out how to describe the noise I was hearing. So, if you've seen news items, movies or TV shows that feature said emergency vehicles then you'll understand the the type of sound I am hearing. It is a "siren type" noise with a deeper sound.

As I said I do not have any audio files of this noise, and I'm not sure I could attach said file to my post.

Thanks.

Re: sub-audible tones
I'm not aware of any satellite service still using subaudible tones. I'm also not aware of board-ops anymore. Contact closures are applied by the programming of the automation systems, and use data that is not part of the audio.
 
Bossbill: Thanks. re: satellite automation. That's confusing to me in that a floating break would not happen at a fixed time ergo a human has to hit the relay. I've read where the relays actually generate the various combinations of 25 and 35 Hz tones to tell the local satellite receiver what to play.

The last time I was in radio, network programming was on a landline, except in the outlying areas in Arizona where we got the network programming sent to us via microwave of the station's signal in Phoenix.

Then, we just followed the clock to join the network and listened for outcues to cut away. (Ah. Those were the days.)

Something else that was confusing to me: There was a three part video that is alleged to be the originating studio of a satellite music service. The host on duty played the music (and recorded these videos), but I didn't see him cue the local station for the local break. He did, however, have a downlinked signal of an affiliate station and at the end of the local break started playing music again.

Oh how I wish I had knowledge of a club that could tour such a facility. I mean, there's clubs that visit transmitters sites of vintage AM stations, why not visit a company that produces satellite programming?

Just a thought...and still confused as ever.
 
There is at least one show, Laura Ingram, that I hear the 25 and 35 hz tones come through on the local affiliate since they don't have a subaudable decoder and there is no filter in the program line. Beyond that show I don't know if any others still use them.

The tone you report hearing may be your cell phone. I plug mine into a charger in the car and find it makes a similar noise especially in AM reception. When I unplug it the noise goes away.

I'm glad you brought up strange audio on the air. Starting a year or so ago I noticed a metallic sound mostly on speech on several stations in South Florida. WIOD 610 in Miami was the first I noticed it on. It was sort of like listening to voice being heard through a metal pipe, just a very slight metallic echo. I figured it was an artifact from using a internet STL. I have now noticed it on 820 AM and 102.5 FM out of Tampa. It isn't noticeable on music just voice material like in a spot or the host talking. Anyone else heard this?
 
I'm glad you brought up strange audio on the air. Starting a year or so ago I noticed a metallic sound mostly on speech on several stations in South Florida. WIOD 610 in Miami was the first I noticed it on. It was sort of like listening to voice being heard through a metal pipe, just a very slight metallic echo. I figured it was an artifact from using a internet STL. I have now noticed it on 820 AM and 102.5 FM out of Tampa. It isn't noticeable on music just voice material like in a spot or the host talking. Anyone else heard this?

I started hearing something similar on KCBS out of San Francisco. Likewise, the effect seemed more prominent on some news segments over others. It sounds like really bad HD radio artifacts, yet I was listening on an analog radio. Since then I've heard the same type of sound on a lot of large-market stations to varying degrees. Just a suspicion, but it might be the Voltaire device that some stations are adding to increase the frequency transmission of the PPM codes to Nielsen panelists. I'd like to hear an A/B comparison of audio with and without that processing, but all of that is pretty secret these days.

Dave B.
 
Hi Larry, The tone I'm hearing may be on my cell phone? I'm an old man and I don't rely on cell phones all that much. (Emergencies only, especially when my phone and Internet goes out and I have to call repair service which wastes most of my monthly 100 minute allowance.)

When I am listening to my analog radio I am near my computer. I heard the noise one time on that thing and that is all.

When I was watching that speech I was watching in my living room, but I did not have any of my other electronics turned on.

As for hearing the subaudible tones on Laura Ingram's show it is rare I get up early enough to listen in during the radio broadcast. I subscribe to the podcast, but the tones would not be heard therein.

Thanks for writing.
 
Ever since the January 2017 Trump's Joint Session of Congress address I've been hearing an annoying noise on satellite delivered audio.

I heard this during the above mentioned broadcast and the recent NCAA Men's Basketball Tournament.

It's a two note (high and low) electronic noise that comes up during pauses of speech/commentary/play by play. (I also just heard it as a local sound bite during a local newscast.)

Is this a new sound that cannot be corrected with all of the wonderful technology we have today?

I am not an engineer, but a former employee in radio, so this noise is not in my field of expertise.

Is there anyone that knows what this is, and why it has appeared in this day and age? It seems like technology has taken a giant step backwards.

Thanks.

I think what you are hearing is the Nielsen PPM encoding. Since they released a software update a little over a year ago, it is very noticeable during crowd/ambient noise that you would hear during play by play/speech/etc. Even worse so if the station has a Voltair.
 
...Starting a year or so ago I noticed a metallic sound mostly on speech on several stations in South Florida. WIOD 610 in Miami was the first I noticed it on. It was sort of like listening to voice being heard through a metal pipe, just a very slight metallic echo. I figured it was an artifact from using a internet STL. I have now noticed it on 820 AM and 102.5 FM out of Tampa. It isn't noticeable on music just voice material like in a spot or the host talking. Anyone else heard this?

Like radi0 said, you are hearing PPM encoding (that used to be inaudible) now made very audible thanks to Telos Voltair boxes that almost every major station now has (93.1 and 105.1 in South FL do not have Voltairs as of this post). I like how you described the noise as metallic sounding audio as if listening through a metal pipe. That's exactly how I first described it once I learned how to hear it. Now it is impossible for me not to hear it. If you want to hear extremely loud PPM, take a listen to 97.9 WRMF. I think this stuff is ruining radio.
 
Since we're in an unrated market and there are no PPM units in our area, we pulled our PPM encoders out some time ago. Thus we don't worry about those spurious noises. Meantime, Nielsen's annual County Report, delivered over a year after the fact, is virtually worthless because the sample size is less than one-tenth of one percent, using diaries that recipients fill out only after Nielsen asks them to send them in. And the "dollar" provided doesn't buy much anymore.
 
Unless things have changed, the PPM signal is supposed to mute during silence.

R
 
Unless things have changed, the PPM signal is supposed to mute during silence.

R

PPM "tags" are only inserted when there is enough audio on any of the frequencies that the encoder can use to fully cover the data burst.
 
Like radi0 said, you are hearing PPM encoding (that used to be inaudible) now made very audible thanks to Telos Voltair boxes that almost every major station now has (93.1 and 105.1 in South FL do not have Voltairs as of this post). I like how you described the noise as metallic sounding audio as if listening through a metal pipe. That's exactly how I first described it once I learned how to hear it. Now it is impossible for me not to hear it. If you want to hear extremely loud PPM, take a listen to 97.9 WRMF. I think this stuff is ruining radio.

You are not hearing the PPM encoding; you are hearing the Voltair, when set to high, pumping up noise on the frequencies used to encode to make the Nielsen encoder emit a PPM tag. When you selectively enhance specific narrow frequency bands, and there was no audio of value there to begin with, what gets amplified is junk. The junk masks the PPM tag just fine, but is essentially amplified noise.
 
Is that why Rush Limbaugh likes to shuffle his papers around so much? Normally that would be bad on-air manners to have it audible on the microphone, but he likes to pause a lot for dramatic effect and the paper rustling helps fill up the dead air with audio for the PPM encoders to work with.
 
Yes, any noise, including paper shuffling helps hide PPM (intended or not) It is in hidden around 2 khz + and - and can sound "reverbish" or "metallic" or like a "bad mp3" it really is a shame that broadcasters have allowed this especially on AM. Many listeners change a channel for reasons unknown and women especially are not tolerant to high frequency hash. We are doing ourselves a dis-service allowing this and to that point the makers of Voltair have made another product to monitor this and help "mitigate" the audible artifacts by actively changing Voltair to always provide optimum levels without introducing audience fatiguing artifacts....... (Since allegedly the last upgrade to PPM basically gave everyone a Voltair) I guess they can't be artifacts if it's by design.........NM another conversation.

Another neat point with some of the FM stations mentioned, I would look at total modulation and HD injection levels. I have seen where Modulation/Injection/Processing Style have a HUGE impact on how bad Voltair/PPM show up in the RX. It is a REALLY fine line.

Anyways these are only my opinions and do not reflect the opinion of or implicate the opinion of anyone whether implied or by coincidence....... blah blah blah lawyer yuck yuck

The folks at Omnia, Orban and Wheatstone all have information on basic processing that should be read by anyone adjusting a modern day processor. I hear a TON of analog adjusted digital processors that sound bad because someone has always done it this way instead of learning how the digital realm provides an incredible amount of what they want without fatigue of the "analog" sound. I could go on for days but this thread wouldn't be served by my soap box. I look forward to your replies
 
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