First post from me. I served many years in CT radio, and finally left to make money, but I've never left what radio really meant to me: music, personality and communication. I was privileged to work with Floyd at 'YZ when the station first went country in '88 - and I was there when it hit #1. I've worked with a lot of the folks mentioned in this discussion, and from my perspective, Floyd is one of the most professional and best-prepared radio personalities in the market. I'm glad he got a day shift at 'DRC, but there's no shame in an overnight gig either. It's where I (and a lot of people) started in professional radio, and also where I started at 'DRC (on weekends, no less) until a daytime slot opened up. That kind of progression is what radio folks do. You don't come into a new station demanding, "Gimme my slot or else I'll pick up my marbles and go home." Even Murray The K came into WINS on the overnight shift. (The other radio professionals here will tell you the same thing: unless you're hired as a name draw, you're glad to be where you are, at least for the time being. And if not, walk out; someone who really cares wants your place.)
Re: Floyd staying in CT, he's following in the footsteps of such broadcasting giants as Charlie Parker, Bob Steele, and (said with reluctant admiration) Brad Davis. CT, particularly Hartford, is a great market to live and work in (at least it was for me through the '70s and '80s), and convenient to two top 10 markets without the incredible cost and pressures of either. CT offers far more than other markets of its size, in my opinion. I thought I'd grow old and "die on mike" in Hartford, but life happens when you're making other plans.
About that comment that CT radio sucks: it may now, but when I came to town after the classic 'DRC/'POP "wars," I found the market to be overflowing with outstanding talent, especially on the Top 40 side - and the album rock side soon caught up with it. It has been a long sad slide downward since at least a dozen years ago, but this is no different than most other markets. I'm in the NYC metro now, and frankly, I find that just about all of the commercial radio stations are unlistenable. One probable exception: FM 107.1 out of Westchester, where you can tell the jocks usually have the studio monitors on - but they're probably being paid in satisfaction, not dollars. (My first fulltime year in voice-overs netted me 50% more than my best-money year in radio, and it's has gotten much better since then.) Most of the rest of the NY area stations are just reading flashcards and playing the same hundred tired records in a slightly different order. Borrrrrrrrrring!
A couple of words about Greater Media, who someone said respected the talent they hired: Well, maybe. I live in the signal area of their WMTR in Morristown, NJ. A few years back, they traded in a "music of your grandmother" format for a 1954-1964 oldies sound with live jocks (including some VT shifts), most of whom really gave a damn despite the tracking even if they didn't match the talent level one would expect. There were some interesting musical surprises sprinkled in with the predictable hits, but they were usually worth waiting for. The oldies format doubled the "mewzak" ratings. But then the consultants got hold of the station and messed around with the format, and the ratings attritioned thanks to "research," as opposed to staying with the kind of gut instinct it takes to keep an oldies format fresh (see: 'CBS-FM before it got Jacked off vs. the new floundering post-Jack version). Then one day a few months ago, the live jocks were gone and it's now on the satellite. Results: one more pre-digested yawn for the listeners - and pink slips for the full-time staff.
Opinions are like eyes, everyone has a couple. Those are mine for today.
Re: Floyd staying in CT, he's following in the footsteps of such broadcasting giants as Charlie Parker, Bob Steele, and (said with reluctant admiration) Brad Davis. CT, particularly Hartford, is a great market to live and work in (at least it was for me through the '70s and '80s), and convenient to two top 10 markets without the incredible cost and pressures of either. CT offers far more than other markets of its size, in my opinion. I thought I'd grow old and "die on mike" in Hartford, but life happens when you're making other plans.
About that comment that CT radio sucks: it may now, but when I came to town after the classic 'DRC/'POP "wars," I found the market to be overflowing with outstanding talent, especially on the Top 40 side - and the album rock side soon caught up with it. It has been a long sad slide downward since at least a dozen years ago, but this is no different than most other markets. I'm in the NYC metro now, and frankly, I find that just about all of the commercial radio stations are unlistenable. One probable exception: FM 107.1 out of Westchester, where you can tell the jocks usually have the studio monitors on - but they're probably being paid in satisfaction, not dollars. (My first fulltime year in voice-overs netted me 50% more than my best-money year in radio, and it's has gotten much better since then.) Most of the rest of the NY area stations are just reading flashcards and playing the same hundred tired records in a slightly different order. Borrrrrrrrrring!
A couple of words about Greater Media, who someone said respected the talent they hired: Well, maybe. I live in the signal area of their WMTR in Morristown, NJ. A few years back, they traded in a "music of your grandmother" format for a 1954-1964 oldies sound with live jocks (including some VT shifts), most of whom really gave a damn despite the tracking even if they didn't match the talent level one would expect. There were some interesting musical surprises sprinkled in with the predictable hits, but they were usually worth waiting for. The oldies format doubled the "mewzak" ratings. But then the consultants got hold of the station and messed around with the format, and the ratings attritioned thanks to "research," as opposed to staying with the kind of gut instinct it takes to keep an oldies format fresh (see: 'CBS-FM before it got Jacked off vs. the new floundering post-Jack version). Then one day a few months ago, the live jocks were gone and it's now on the satellite. Results: one more pre-digested yawn for the listeners - and pink slips for the full-time staff.
Opinions are like eyes, everyone has a couple. Those are mine for today.