Wait, I found this rare inside video of David during a workday here as a Moderator and THESSSSPIAN!So David, you were a 'THESSSSSSPIAN?'
Wait, I found this rare inside video of David during a workday here as a Moderator and THESSSSPIAN!So David, you were a 'THESSSSSSPIAN?'
High heels! Mom had to cook and clean in high heels!Bruce's father was a bus driver who had trouble working due to mental health issues. His mother pretty much had to support the family while working as a legal secretary (not exactly a high-paying position), especially back then. She had to get a loan just to buy him a guitar. That sure sounds like a working-class background to me. Sorry if it didn't fit your stereotype of Daddy working 80 hours a week in a hard hat while Mommy was staying at home cooking and cleaning.
And to the other poster, I did not realize you had to have a blue-collar background to understand anything about cars. My Dad was a steelworker, yet somehow I am nowhere near an expert on cars. Baffling.
One can acknowledge her talent without liking or wanting to listen to her music. Every era has great music and loads of crap. A lot of great music has been recorded in the last 20 years. You just didn't hear most of it on commercial Radio...I agree, based on the posts alone, that the majority of poster's here are obviously white males over 50.
In my mind, you shouldn't need to be considered a "Swifty" to appreciate the woman's talent, success, longevity, and market appeal.
I've only heard some individual tracks myself. My point being; this whole 'there's no good music anymore' mindset is nothing more than just waxing nostalgia back to when 50+ white males were in the same age bracket as music consumers today.
Ladies and gentlemen, see my comments above. I rest my case.He’s correct in the sense that things are different. He likes Taylor’s stuff. I don’t care. She doesn’t stand out as much to me.
"Love Story" and "You Belong with Me" wouldn't make me change the station, but I am Never Ever listening to that other one.Her fans are mostly female. They're also younger than most posters on this site. I can't say unequivocally that I enjoy everything she's recorded, but her country hits are catchy and perceptively written. Melodically, I find "Ours" very appealing. I don't switch the station when "Mine" and "Love Story" or even the goofy "We Are Never Ever Getting Back Together" comes on the radio, either. And while I'm not anywhere near the demographic she's writing for -- or about -- I love the delicious meanness of "I Bet You Think About Me." Does this make me a Swiftie? Of course not. But if you're looking for someone to come out and say he enjoys some of her music, here's one.
That said, I gave the new album a listen and it does little for me, but I won't blanket condemn the tweens, teens and young women it connects with as not knowing what "real music" is. That's just "get off my lawn" BS, which I try very hard to avoid being dragged into.
Points taken, the US, UK, Canada, Oz, NZ and other English speaking regions aren't the world. But we here at RD deal with American media primarily. For that reason Springsteen's observations are interesting and probably important.You will cite a few English speaking countries and a few other nations where there was a cult following of US and British rock artists, but that is not even 10% of the world.