Was that a board op I heard do the legal ID LIVE. :-[ Voice sounded very familiar
OC3 said:Who did you think it was?
Ouch, what does that tell you.Boardengineer12 said:Tough to have board ops give live legal ID's at my station since their is no microphone in the control room.
badjef said:Ouch, what does that tell you.Boardengineer12 said:Tough to have board ops give live legal ID's at my station since their is no microphone in the control room.
Jeff in Sa-ra-so-ta!
Bill DeFelice said:While the video is six years old, this YouTube video from JAM showing The Making of WABC #121 (top of hour jingle) shows what I assume is/was the master control room and, yes, there is a microphone at the board operator's position (3 mins, 30 secs in on the video).
It would only make sense to have a mic in the control room for emergencies, etc.
Wow, a lot of effing work, but the thing aired gazillions of times.Bill DeFelice said:
Bill DeFelice said:Prior to the NRSC bandwidth limiting on AM in the late 1980's, I heard many stations sound absolutely gorgeous when listening off their in-studio modulation monitors. Wideband AM radio from the deep and not so distant past like the Sony SRF-A100 and SRF-A1 could have given FM a run for its money.
@wadio: While it may be deemed "wasteful" to put that sort of attention to producing a jingle, Jon and his crew put out a quality product and it doesn't matter if it's for an AM, FM or TV station - the same care and attention to detail is performed for every jingle they produced. They did some work for my high school project station and even though I barely had enough to get a few things produced it was evident the quality was 100 percent.
wadio said:Back in those days AM receivers were relatively wide-band, WABC meticulously maintained its antennas and ground system, LEDs & CFLs weren't in widespread use, etc., etc. -- and WABC was a MUSIC STATION, so that level of jingle production probably made a difference.