> Next
> > to pass it's prime will be the endless repetition of Led
> Zep
> > and Pink Floyd songs. When I was 18, Led Zeppelin was
> > classic rock...today, at 36, it's burned out rock.
So true.
> >
> > And whats the future of radio sound like anyway? Classic
> > dance stations? Classic alternative stations? Will their
>
> > be "Rufus FM" an urban FM that sounds like Jack, playing
> > everything "black" from the 80s, and 90s. None stop
> Johnny
> > Gill records?
Jack is just a name for something that has no definition. It's for lack of a better word. It's an umbrella for an incoherent format. As far as Rufus FM. I like that idea but I don't know how much upside there'd be in the revenue. The Jammin' Oldies stations would cover most of that stuff. Let's not forget My, My, My and Fairweather Friend by Johnny Gill!
>
> LOL, a station that plays "Rub You The Right Way" every
> hour, and the occasional New Edition record like "If It
> Isn't Love".
> >
Or the bootleg concert version of Candy Girl at a mall in 1983!
> > Figure Nirvana is 15 years old. The "dance" scene is 7
> > years old. Hiphop started 20 years ago.
> >
It all depends on what you perceive as dance music. Disco was something that was popular in Europe in the "discotheques" as far back as the latter 60s. In the 70s it was popular in areas of the country that weren't living in the "good 'ol boys" days. Major urban areas that had diversity in culture were experiencing disco music. Disco's were playing O'Jays, Ohio Players, Gloria Gaynor (Honey Bee), Temptations and more. It was more R&B flavored until the mid to latter part of the 70s. As the latter 70s came along the European producers such as Alec R. Costandinos, Cerrone, the Canadians (see Prelude Records), and the Italians who ruled the roost into the 80s (Pugla, Ninzatti, Bortolotti)all had huge "dance" records. There were pop hits like David Naughton's Makin' It, Dan Hartman's "Instant Replay" (and countless others) then the R&B artists from the past began doing "disco" or "dance musci" like Edwin Starr crossing the tempo lines with H.A.P.P.Y. Radio, Contact, Gene Chandler with "Get Down", Barry White with "Your Sweetness Is My Weakness". Even Dolly Parton got into the game, then the Rolling Stones, Rod Stewart, Marianne Faithful and more. Once disco "died" there were the Italians making club music, the Canadians and R&B artists doing "dance" music. Jerry Knight, Carl Carlton, Rick James, Skyy, The Strikers, Sparque, Fantasy, Gap Band, Dynasty, Shalamar, Lakeside, Whispers, AMFM, Weeks & Co., D Train, The Graingers, Yarborough & Peoples, Bootsy, George Clinton, Quincy Jones, Larry Graham, these artists were being spun as dance music in the straight clubs [in the major markets] to dance to in the very early 80s. There was still "disco" being made and produced by Ian Anthony Stephens, Patrick Cowley, Boris Midney etc. Artists like Marlena Shaw, Rhetta Hughes, The Jammers, The Flirtations etc (see Megatone and Moby Dick records). but that was mostly in the gay clubs. When it came to dance music for the "masses" clubs followed urban radio because they were the only places one could find "dance music". While Depeche Mode and other "electronic" based groups were "dance" music, they were predominately at the gay clubs and breaking in at the college levels (early 80s) Dance music has many faces and has been around for quite a bit longer than you believe.
Hip Hop didn't "start" 20 years ago. Rap's been around for about 30 years, Most white folks only became aware of "rap" music when The Sugarhill Gang crossed over with "Rapper's Delight". It took a few years for kids in cities like Chicago, L.A., NYC and other cities where white kids were allowed to hear RAP. See, there wasn't a white owned radio station that would play LL Cool J, Whodini, Doug E. Fresh, Run DMC and the other groundbreakers until the latter 80s, a full decade after the music started. And it would take until 1993 for white radio to play "hip-hop" on a regular basis. By the latter 90s it had gone from a small percentage of programming for CHR radio to ALL OF IT and because of the mainstream acceptance of black artists the "Rhythmic" CHR was born. Many Rhythmic CHR's consider JaRule and much of the music they play dance music because in the largely Hispanic and Black areas, that's what it is. When white folks were finally allowed to hear and see rap music they saw people dancing and it became dance music for the younger generation. It's sad to see how it has all turned out. Marketing has been able to turn all that's negative into positives hence "the hip hop culture"
"Hip-Hop" became the marketing term for rap music, a "lifestyle". Perhaps you mispoke about dance and hip-hip?
> The Dance scene is 7 years old?!
> The modern Dance era goes back to 1974, to the start of the
> Disco craze - that's over 30 years. Electronic Dance music
> also came to be around the mid 70s timeframe with Kraftwerk
> and Georgio Moroder. Euro-Pop (or at the time Euro-Disco),
> Electro, and Italo were already around in the late 70s if
> I'm not mistaken. From there on you can add New Wave, High
> Energy, and a bit later Funky Breaks. by the mid 80s you had
> House, Freestyle, and by the late 80s Techno.
> The 90s saw the birth of genres such as Rave, Trance, Drum N
> Bass, Hard Dance, etc.
>
> I'm sure fellow board members like musiclover, lalumia,
> Metro, John Parker, Robert Moore, or Richard Dalton can add
> on to the info above.
>